Reviews: From Vital Weekly "MANDATE (12" by Mandate Records) CHANDELIERS - CIRCULATION (7" by Ghost Arcade) Being a dancing fool is something I am not, and never was, but having said that, I do like rhythmic music every now and then. Perhaps only certain examples of rhythmic music, like a good bit of straight forward techno or house. Music you can do things to, rather than force you to listen intensely. Ghost Arcade LTD deals with this kind of music that sound as retro as can be. They say that the 12" from Mandate could have been from 1993 as well as 2007. I agree. The pumping beat, the sweet keyboards makes me want to play Sweet Exorcist and Sandoz right after this. Music that puts a smile on your face... well, at least this face that is. More electro inspired - also fine with these feet - is a 7" on Ghost Arcade with three tracks of a five piece called Chandeliers. Their music is a bit more chaotic - maybe due to the line up of five people, I thought - and less straight forward than the Mandate 12".Great full color cover this one." (FdW) From The Wire "Chicago's Ghost Arcade have the strange kind of weird/snappy dynamism usually associated with German combos on Hamburg's post punk ZickZack label. Mr. Bossa Suicide combines little surging fields of late 70's sounding electronics with a neo friendly beat in a way that also recalls such period San Francisco groups as the Units, Microwaves, et al. Although there's a sinister edge to Ghost Arcade's music that I don't remember from those happier times, its almost enough to make you want to write them a postcard and ask if they have button badges available." Byron Coley, The Wire "Recording as Bort, Martin Schneider (an associate of the Chicago wing of Midwest US electronics wankery) has issued the Eatingest EP. Both sides of the single are in the style you might expect, using ancient new wave synth noise to conjure up images of the Residents, Schwump, and the most hideously puckered wing of the British synthwave combos. Of course, true to form, Mr Bort takes these little pieces and fashions them into something rather original and confounding, since one is never sure where the tribute part leaves off a nd the trashing begins. This sensual confusion gives the listener a lotta leeway. So its probably best to just let it spin and sit back on your haunches, wondering, "Who? What? Where? Why? When?" Byron Coley, The Wire "More Midwest goonery comes in the form of Spills that Kill by J+J+J. A guy/gal duo (the third J is Jesus), these young clippers seem dedicated to making sounds that simultaneously annoy with their cutesy-pie dynamics and suck you in with the recklessness of their joyful stupidity (imagine Hawny Troof playing The Modettes songbook). It's very possible that you would want to kill them if you saw them live, so listening to the record may be a safe alternative. I dunno, like, what would Jesus do?" Byron Coley, The Wire Punk Planet: "Ghost Arcade: Electro Wankery that sounds like it was done on an old Casio keyboard with preprogrammed beats, overdubbed with distorted vocals. Sort of interesting yet painful, like being tortured in a Viet Cong prisoner of war camp. (JJG)" "J+J+J: Fabulously executed electropunk with a pure, sugary pop sensibility. These songs are some of the cutest I've heard, with the perfecct balance of weird synth cut-up and darkly whimsical elements. Recommended for all you fans of Casio-fueled electropunk. (Numbers, Gravy Train, etc.) (MG)" "Von Jugel: German electro pop with a dark edge. (JG)" From Vice: "Number 3 top ten electric indie vinyl 2003: Ghost Arcade Mr. Bossa Suicide" "J+J+J: irreverant casio core"